|
a response from the director of
Artisphere |
other art show
juror interviews and jury reviews |
Attending was worthwhile, I really enjoyed it
and it was eye opening. But there were only about six artists attending
including one who didn’t want to see their own medium projected. Talk
about being in denial. |
The process
We were told at the beginning how many applications were received in each
medium and how many spaces were allocated for each medium the previous
year.
I was surprised how fast the images went by, even though everything I’d
previously read about projection juries said that. They did a run through
by medium before scoring that particular medium. The preliminary slide
show seemed to be about two seconds. Then the jurors saw the images for
about ten seconds, all five projected simultaneously on separate screens
without the artist statement being read. We were told that they juried in
the order that the applications were received. Whenever there was a break,
they came over and spoke to us (observing artists) answering any of our
questions. Artisphere is one of the few shows on ZAPP that has filled out
the “jury details” information page in their application so they are open
in their process. |
The importance of booth images
One booth image was taken in a gallery and it wasn’t just that artist’s
work. There were even a bunch of people standing around drinking wine in
the picture. And there were people who set up easels in their home and
took a picture of it for their booth image.
Some of the jewelry booths looked like Claire’s Boutique with all the
stuff in the booth. Claire’s Boutique is a cheap jewelry store chain in
malls where every inch is covered with little things. In other jewelry
booths I saw too much skirting because the camera angle was too low. I did
see one jewelry booth where a ladder was used to get a perspective showing
more of the actual jewelry.
The one juror I could see clearly would score the artist and then enlarge
the booth image on their monitor and adjust the score accordingly. For my
own images, I saw the juror lower my score by a point after examining my
booth and for some other artists I saw the juror raise their score by a
point. This answers a commonly asked question about the importance of the
booth image. In fact, the only image I noticed any of the jurors enlarging
on their monitors were the booth images. |
A cohesive body of work
Seeing the images projected simultaneously made it easy for me to see if
the presentations flowed properly and composition matched from image to
image. To see that cohesive body of work made a big difference for me, and
it also did for the one juror I was able to see scoring. It’s frustrating
for me as an artist because I want to show what else I can do, but it
doesn’t translate to the jurors in that short a period of time. I’ve read
about
that over and over but it didn’t make sense until I could actually see
it. I thought my images were somewhat cohesive but when I saw them
projected they didn’t go together as well as I would have liked them to. I
could see that the artists that did have a cohesive body of work got
higher scores from the juror I could see. |
The artist who let me do this
interview prefers to remain anonymous |
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Response to the
review from the director of Artisphere
Hi Larry, I just read through the jury review on your website. I thought
it was very fair. We were a bit worried when we realized that the
attending artists were able to see the jurors scorecards on their computer
screens. We will probably change the set up next year so that attendees
cannot see the computer screens but, at least for the artist who wrote the
review, it seems to help that they saw exactly what the jurors were doing.
The attendees were not present when we went over our expectations in the
morning with the jurors – we ask the jurors specifically to judge the work
based on the projected images and to use the thumbnail images on their
computers as a point of reference only – that is why the artist did not
see the jurors blowing up any other images of work. Liz Rundorff
Smith |
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